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Both tracks released up to now by the group Ashnymph defy easy classification: their personal label of the sound as “subconscioussion” leaves listeners guessing. Debut Saltspreader combined a pounding industrial rhythm – member Will Wiffen has sometimes been seen on stage wearing a T-shirt that bears the logo of the trailblazing band Godflesh – with retro-style synths and a riff that partly brings to mind the enduring garage rock anthem I Wanna Be Your Dog, before transforming into a wall of disquieting noise. The desired impact, the trio have suggested, was to evoke motorway travel, “the ceaseless flow of vehicles all day long over vast spans … nighttime orange glows”.

Its follow-up, Mr Invisible, sits somewhere between nightclub tunes and left-field alt-rock. On one hand, the song's beat, strata of mesmerizing synths, and lyrics that appear either psychedelically smeared or hypnotically looped in a way that recalls Dubnobasswithmyheadman-era Underworld all point towards the dance space. Conversely, its powerful concert-like energy, edge-of-chaos quality and distortion – “getting that crisp distortion is a lifelong ambition,” Wiffen noted – mark it out as clearly a group effort rather than a solitary home producer. They've gigged around the independent music circuit in south London for a short time, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – from one another and contemporary releases – to make you wonder about Ashnymph's upcoming moves. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s unlikely to be boring.

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